You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.

You know, I am kind of a bi-polarish schitzerphrenic. I run the gamut of being incredibly shy and withdrawn to being a crazy-eccentric exhibitionist. And I have always been like that.

Some kids are fine, but often I don't like what I see in child actors. My kids are young and they are already showing an interest, so I have to try to discourage them, squash that in them.

But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.

I would be jokesmithing. I had files with tons of disses that I would try to write as I was on the train going to school.

Marriage is wild. I thought it was this perfect land of happiness and joy. Wrong! After you say you do, you don't for a long time.

You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.