Tennessee Williams, one of my favorite playwrights, [lived] down there. You always heard about the Keys and how amazing they are and, well, it's like a highway with some bars on it.

The New York Times made you or broke you.

Great acting is being able to create a character. Great character is being able to be yourself.

It's a product of being an actor, you know? A lot of your work doesn't end up on camera and some of the best things aren't always in the final product. But yeah, a lot of my stuff got cut and it was painful, but I know it was for the better of the movie.

But when you are doing an animated voice, it has to have more energy than usual or it falls flat and doesn't work. For myself, I found that I had to put myself in the same physical or emotional state as Sid, in order to make that voice sound alive and authentic. So if there was a scene in which he was running, I would be running beforehand to sound out of breath. That's important because the audience can tell intuitively if it does not sound real.

The difficulty of being a Latin kid, a Latin man in this country [U.S].

You have the hilarity and the great production. These films are distinctive because they are not just topical, they tell good stories and they let scenes play out physically. Apart from the dialogue, the characters also have a non-verbal existence, for example with Scrat.