I did Brad's first film The Take and I'm glad Brad [Furman] has not calmed down. I don't want him to ever calm down.

I read that 36% of Latin kids drop out of high school, and we're the most bullied minority in schools right now. And my son had troubles in elementary school. So that made me really question being Latin in the United States.

Independent film is for actors that love to act.

The message is one of the beautiful things about the film. And I think part of the appeal is simply that they are prehistoric creatures, they are no longer around and that makes them magical and makes us feel quite emotional, because we know that those creatures did not survive in the long run, so there's poignancy in their fight for survival.

It's the flip side of illegal success. This man [Pablo Escobar ] turned a small-time drug thing into a large industry. An international, successful industry. And he almost took a country, Columbia, he took it almost hostage, took over it. It was incredible.

Pablo Escobar is one of the great stories of all time. It's a bizarre, dark version of success.

It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience.