I think middle-class people have the biggest trauma if they have nice imagey parents, all smiling and dolled up.

Yoko [Ono] was well into liberation before I met her. She'd had to fight her way through a man's world - the art world is completely dominated by men - so she was full of revolutionary zeal when we met.

The continual awareness of what was going on made me feel ashamed I wasn't saying anything. I burst out because I could no longer play that game any more, it was just too much for me.

I don't mind looking to the camera -​ it's people that throw me.

I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul.

You don't have to be some sort of freak to meditate

Getting out of one car and getting into another