I'd sleep under a Vermeer.

That's how you deal with stardom; you make it the least important part of your life.

One of the things that gives me a lot of pleasure about both the solo show and the book is that it tells people about my dad. He really was an important man. He was a kind of pioneer of regional theater. He was the first American producer to ever produce all of Shakespeare plays.

I was very interested in being a painter. I had facility, I had talent, and I loved painting and printmaking, and I was quite serious about it.

I can't get used to the fact that I'm 68 years old. I still feel like a youngster. I am playing a part even older than 68 - 71 years old. It's kind of startling to see myself in a movie and realize, "Yup. That's exactly what I look like."

I'd sleep under a Vermeer.

Growing up I didn't want to be an actor. I sort of didn't want to go into the family business; the main reason being there was something I wanted to do far more, which was be an artist.