When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.

I think one of the ways that these young singers got started is that they would end up in clubs. And a lot of them were mafia owned. And so there was almost an unspoken kind of mafia sponsorship, which is just a very interesting part of that area's music history.

I approach the singing kind of like with dialect thoughts in my mind. I have to sound like this on certain things to give that Frankie Valli flavor.

I think you couldn't do this role or you couldn't be Frankie Valli himself unless you had a natural falsetto. And I had sort of discovered it by accident as a child or a young adult when you realize you have a special skill that you don't really have any use for you, and you just take it out at parties or to amuse your friends or to annoy your girlfriends.

It's funny - Frankie Valli's story and that advice that he was just getting from, you know, Christopher Walken's character, is very true for someone who's in a creative field.

I know, for me, you know, my generation - I never would have known anything about Robert Preston's performance in 'The Music Man' if there hadn't been a film where he played the part. I just heard how great he was on Broadway way before my time.

I think Frankie Valli did everything right. He kept singing. And you also have to remember, he was confined to a certain society, which was this sort of like - the wrong side of the law kind of society of Italian guys from the streets of Belleville, New Jersey. So he found his way.