Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.

It seems whenever I've had a method or what I perceived to be an intellectual groundwork of some sort - a kind of game plan - it's always been the most morbid failure.

I grew tired of religion some time not long after birth. I believe in people, I believe in humans, I believe in a car, but I don't believe something I can't have absolutely no evidence of for millenniums. And it's funny, people think analysis or psychiatry is mad, and they go to church.

Unlike my grandfather or my brother, I've actually been able to make some money at a racetrack.

Much of what you do as an actor - it's who's around you, what's the environment, where do you fit into this thing. That's really work that's impossible to do on your own, at least for me. I find it hard to pre-plan every element of everything I do. It's not my thing.

If you don't interfere with me, I'll always do something really good.

I can see how, given a certain degree of sensitivities, proclivities and rage, I could have ended up differently.