In New York in the Forties or Fifties, everybody's in a suit, an overcoat and a hat.

Art is not disposable. If you want it, you have to hold it and smell it and touch it and read the credits and enjoy it and put it on your wall.

Imagine how asleep or utterly unperceptive and clueless you would have to be not to see yourself as absurd for the most part.

Of course it's trivial, but then most things are.

Films take too long. There's too much BS, too much nonsense. If I want to do a play, I just call the theater, whether it's here, or in Paris or Mexico or Spain or London or whatever, and say, "I want to do this, are you interested?" They'll answer the next day. With a movie, it's all, "Oh, I see this film as blah blah blah." They don't know what you're talking about, they don't care.

I don't really have a comprehension of being a public figure.

I don't lose my temper very often now, and if I do, it's well deserved.