I am definitely interested in soundtracks that one might associate with fantasy or sci-fi - they tend to be rich with musical ideas.

I think it's better to just say nothing at all than to just send two words.

The categories of woman and man are too rigid. They're going to give way to new forces. They already have, to a degree, but for most of us, this drama held sway, and we assumed our positions.

I am definitely interested in soundtracks that one might associate with fantasy or sci-fi - they tend to be rich with musical ideas.

In our culture, the Oedipal drama succeeds in making us assume either a male or female sexual position. Certainly this is an ancient construct that's rapidly coming apart.

I really try as hard as I can on the show. If people can't see my face, if they can't see my sweat beads or at least that I'm struggling, that I'm not just pretending or going through the motions, then who can blame them for thinking that it's some kind of ridiculous piss-take?

In all the music I've done, what I'm really interested in above all else, and I'm not sure it's what one should be interested in, is the kind of - you know, people talk about work progressions, which doesn't really make sense with pop music because there is no progression, because there is no tonic, because there is no more tonality.