Anytime you can muster the fury to actually write in the face of the impossibility of writing, that's an achievement.

Musical acts that feign enthusiasm for what they're doing the guitarist who jumps up and down, like it's choreographed are so transparently vacuous.

I really try as hard as I can on the show. If people can't see my face, if they can't see my sweat beads or at least that I'm struggling, that I'm not just pretending or going through the motions, then who can blame them for thinking that it's some kind of ridiculous piss-take?

There's really not much in life that's as violent or traumatic as an encounter with somebody who really surprises you and opens up that strange dynamic that's involved in romantic love.

Various people have put forth that love is the scene of two, that it's not about unity, it's about two absolutely disjunct positions encountering each other. So here, even with something like sex-- what [that song's] about-- you could never become one.

I'm against eating a human being alive - I don't do it. Somebody might make cannibalism jokes and laugh it off like it's nothing. I don't agree with that. I want to proclaim a rejection of cannibalism.

I don't really know what playing is. There's a way to do it correctly, but it eludes me. I think getting in front of an audience is definitely a good way to focus in on the real dimension of the activity, the most important dimension.