In a certain sense, these were lessons I learned by playing with Indian musicians. The rhythmic forms that they use are very complex, and very challenging. In order to play in fifteen, or eleven, or seven or even five, you have to have mastered that time in order to be able to be free with the music.

The whole point of working and practicing your whole life is so that you're ready when that moment arrives; when the inspiration arrives, you are ready to be at the disposal of inspiration.

I'm not any different from you or the guy down the street or across the globe, we're all connected in some way and hopefully my music can integrate that feeling of human connectedness.

There are two kinds of success. One is musical or artistic and the other is commercial.

I believe everybody is spiritual and no one is any more spiritual than anyone else.

I think I'm built like a painter. I have friends who are painters and they reflect a similar psychological attitude towards their work. They don't know what's coming next, they just wait for the message, for orders to come and then off they go on their next project.

I don't have any particular goals in making a recording. In a way the recording is itself the goal. The music comes into my mind, and from there the main job is to give form to it.