I had a bad experience on Ned Kelly, which I'd written the screenplay for. I thought: "Well Jesus, if these are the type of people directing movies I might as well direct one myself!"

Basically, you can't make a pop culture reference now without someone saying it's Tarantino-esque or post-Tarantino and I'm like where's that all come from? It's ridiculous. But it's not his fault.

I presume that each country will have a different response to each joke. But mostly what I've seen is that everyone has the same response. The line about: "He hasn't had this much fun since they burned all those kids at Waco..." I thought that might get a real.... it does in America, it gets a shock, as if they fall back in their seats, but then they still laugh.

When you've written a script, if an actor has a question you're the writer as well as the director, so you have the answer. And if you don't, then you just be honest and say 'I don't know' and then you discuss it. So, working with the actors is fine.

I had a bad experience on Ned Kelly, which I'd written the screenplay for. I thought: "Well Jesus, if these are the type of people directing movies I might as well direct one myself!"

I can't compete with the Michael Bays of the world in regard to special effects and that kind of stuff. But you can compete in the dialogue and the one liners and the original characterisations and I think that's what people are responding to.

The thing with America is that... however you want to denigrate them for being crass or whatever, with a film that they like and think is well written, well-made and is popular, they actually want to work with those people and want to follow that, whereas I've had nothing coming in from the UK... nothing at all. Whether that sums up the state of the industry now, I don't know. But it's strange.