The work under our labour grows, Luxurious by restraint.

A dungeon horrible, on all sides round, As one great furnace, flamed; yet from those flames No light, but rather darkness visible Serv'd only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end.

[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.

Yet I argue not Against Heav'n's hand or will, nor bate a jot Of heart or hope; but still bear up and steer Right onward.

Flowers of all hue, and without thorn the rose.

Earth felt the wound; and Nature from her seat, Sighing through all her works, gave signs of woe That all was lost.

Incens'd with indignation Satan stood Unterrify'd, and like a comet burn'd That fires the length of Ophiuchus huge In th' arctic sky, and from his horrid hair Shakes pestilence and war.