I fled, and cry'd out, Death; Hell trembled at the hideous name, and sigh'd From all her caves, and back resounded, Death.

Thence to the famous orators repair, Those ancient, whose resistless eloquence Wielded at will that fierce democratie, Shook the arsenal, and fulmin'd over Greece, To Macedon, and Artaxerxes' throne.

Never can true reconcilement grow where wounds of deadly hate have pierced so deep.

And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell Of every star that heaven doth shew, And every herb that sips the dew, Till old experience to attain To something like prophetic strain.

[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.

Evil on itself shall back recoil.

They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide; They, hand in hand, with wandering steps and slow, Through Eden took their solitary way.