Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.

We didn't know until really quite late in the piece how Joel [Wyman] would finish it off.

A lot of the times, roles are chosen for us.

You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.

I was a theater man, so I was never in the situation of being a handsome Hollywood leading man, and then having to age.

We shouldn't be put out to pasture just because we've reached somebody's idea of retirement, which was certainly happening in Australia, and I think elsewhere as well.

In Revelation 12, we see a pure, holy woman giving birth to a son - a corporate son who brings victory by the blood of Jesus, their testimony and sacrifice. My vision is to see that kind of church moving in the authority, the sacrifice and love of Jesus.