Mars tugs at the human imagination like no other planet. With a force mightier than gravity, it attracts the eye to the shimmering red presence in the clear night sky.

You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.

Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.

Walter is incredibly complex. I do a lot of thinking about the work I do, and try to get the rhythms of scenes.

I suppose, when you start up in acting, you hope to be given challenges, and you always have dreams about the things you could do and couldn't do, but normally we get pigeon-holed a little bit, as we go on in our careers.

Over the last 25 years, since a lot of science writing became accessible to layman, I've become quite a consumer of science. As a child, I wasn't streamed into science, and I regret that now.

[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.