We're always in that head space about the audience and less about us at that moment.

I really rely a lot more on memory. I'm definitely not as good of a sight reader.

There's different levels of where we do well throughout Europe. Fortunately, for us, it's pretty great all throughout it.

You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space; a good head space.

I think I'm a father, but a father of three kids! :)

Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.

A lot of people around the world were, like, very frustrated, you know "Why don't you just release the name? Why is it taking so long?" But the cool thing is that it brought people together, like you said, it brought our fans into the experience, it sort of exposed us, exposed the process, and I think it welcomed Mike Magini, because people saw what happened to get to that point.