We're always in that head space about the audience and less about us at that moment.

I often think about my Music Man guitars being 100 million percent tailored to my needs as a player and how lucky I am.

You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With... so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.

First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.

When I think of a lot of the players I admire, they could always play their parts without hiding behind distortion and sustain. Put the time in. Hear your mistakes. Yeah, it sucks, it's humbling, it makes you want to throw the guitar out the window. But if you work on your mistakes, they'll eventually go away, and you'll become a strong player.

We have a storage close by where I live, that's very organised. My guitar tech, Matty organised it all, labeled everything.

We auditioned a lot of great drummers; every one of them was world class. We had a lot of fun playing with each of them and had some great jams. With Mike [Mangini] it was just something really special about what was going on.