First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.

I've always said that there's a huge progressive rock, progressive metal audience out there, in the world.

I'm a hopeless tone chaser!I love it and get into the whole thing.

The style of music that we're playing, this progressive metal style, has always been an upstream battle for us. We don't usually get a lot of commercial exposure.

I think it's a good way to sort of build your career and even when I was a young kid, I did the same thing, I looked at these guitar players, like ...I was a big fan of Steve Vai, and Al DiMeola, and said "What do those guys do?" and I found out that they went to Berkelee College of music, so I was like "Well, I'm going to go to Berkelee College of Music", and you try to, like, learn from those things, so... It's important.

I'm a member of the Recording Academy and I see the way it works and even with the whole voting process it's broken down into specific categories. There are Pop categories and Dance and Rock and Metal and Film and Score and everything else. Basically when you are voting you are urged not to vote in the category that you don't know anything about.

Guitar players get inward and analytical about their playing but when you start to get positive feedback from other players it makes you think that it is coming together.