I experimented a bunch with Ernie Ball in getting the strings to not flop around too much, but at the same time not to be too thick to where you're playing telephone cables.

It's hard to answer that from my own perspective because when I'm playing I know where it is coming from and the sources.

The Majesty guitar symbolizes the very reason why I am so proud to be a Music Man artist. I had the idea for this guitar a couple of years ago but it is because of their innovative spirit and dedication to the art of guitar building that it is now a reality. I am so grateful that I am able to collaborate with the best guitar company on the planet and so incredibly proud that together we have created what is to me, the perfect musical instrument for guitar players. I really hope you get a chance to play one and am confident that you will feel the same!

To be in Boston, which is a great city and which is full of many colleges and young kids, and to be around that many people that were at the same point in their lives, who played guitar or whatever instrument - it was just perfect. It was a great environment.

I experimented a bunch with Ernie Ball in getting the strings to not flop around too much, but at the same time not to be too thick to where you're playing telephone cables.

Real thick strings - your hands start to get fatigued. As much as you practice, and as much experience as you have, and as long as you've been playing, there is a fatigue point during the show, as with anything that's physical. So I wanted to basically pace myself better.

If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!