Diabetes affects my family. One of my kids is affected by it.

This isn't the Democratic party of our fathers and grandfathers. This is the party of Woodstock hippies. I was at Woodstock--I built the stage. And when everything fell apart, and people were fighting for peanut butter sandwiches, it was the National Guard who came in and saved the same people who were protesting them. So when Hillary Clinton a few years ago wanted to build a Woodstock memorial, I said it should be a statue of a National Guardsman feeding a crying hippie.

Really, improv is all about creating for what's around you, in the moment, so it fits in a way that you can't see the seams. It's like a great jazz combo. I still do it.

Before 1972, no actors got residuals. They just got paid. No residuals.

It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature.

I don't know how many days I worked there [on Star Wars]. The thing I do remember was I somehow got a parking space next to Kermit the Frog. It was Jim Henson's space, with this Kermit the Frog sign. I took a photo of it and sent it to my mom with a caption that read, "Look, Mom. I made it. I got a parking space next to Kermit the Frog." I was always fascinated by the film-set infrastructures.

After all, at end of the day, when you're breathing your last, it's not your producer, director, or cast mates by your bedside; it's your children. Keep that in mind.