Manson's the man who's responsible for "killing the Sixties." He really knew how to play up the whole "most dangerous man alive" thing when at the time, the most dangerous man alive was Richard Nixon.

I wanted to push the envelope, and I wanted to go so far as to actually offend both the liberals and the right. I think I have succeeded.

It is hard to explain to people now how hard it was being a punk back then [the 1970s]. If you had short hair, didn't wear bell bottoms and walked down the street, chances are some asshole in an El Camino was going to kick your ass.

Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor ... with nausea, laughter, or both.

Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature - screening Friday and Saturday only at the Avalon - the key to amping up the gore is an old standby: puppets.

Manson's the man who's responsible for "killing the Sixties." He really knew how to play up the whole "most dangerous man alive" thing when at the time, the most dangerous man alive was Richard Nixon.

Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga.