It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.

You must get into the habit of looking intensely at words, and assuring yourself of their meaning, syllable by syllable-nay, letter by letter... you might read all the books in the British Museum (if you could live long enough) and remain an utterly "illiterate," undeducated person; but if you read ten pages of a good book, letter by letter, - that is to say, with real accuracy- you are for evermore in some measure an educated person.

No one can ask honestly or hopefully to be delivered from temptation unless he has himself honestly and firmly determined to do the best he can to keep out of it.

A splendour of miscellaneous spirits.

Nothing can be true which is either complete or vacant; every touch is false which does not suggest more than it represents, and every space is false which represents nothing.

The step between practical and theoretic science, is the step between the miner and the geologist, the apocathecary and the chemist.

Like other beautiful things in this world, its end (that of a shaft) is to be beautiful; and, in proportion to its beauty, it receives permission to be otherwise useless. We do not blame emeralds and rubies because we cannot make them into heads of hammers.