The strength and power of a country depends absolutely on the quantity of good men and women in it.

It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect.

It is not so much in buying pictures as in being pictures, that you can encourage a noble school. The best patronage of art is not that which seeks for the pleasures of sentiment in a vague ideality, nor for beauty of form in a marble image, but that which educates your children into living heroes, and binds down the flights and the fondnesses of the heart into practical duty and faithful devotion.

... A power of obtaining veracity in the representation of material and tangible things, which, within certain limits and conditions, is unimpeachable, has now been placed in the hands of all men, almost without labour. (1853)

I had no companions to quarrel with, nobody to assist, and nobody to thank... the evil consequence of all this was not, however, what might perhaps have been expected, that I grew up selfish or non affectionate; but that, when affection did come, it came with a violence utterly rampant and unmanageable.

What is really desired, under the name of riches, is essentially, power over men ... this power ... is in direct proportion to the poverty of the men over whom it is exercised, and in inverse proportion to the number of persons who are as rich as ourselves.

I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting.