The names of great painters are like passing-bells: in the name of Velasquez you hear sounded the fall of Spain; .in the name of Titian, that of Venice; in the name of Leonardo, that of Milan; in the name of Raphael, that of Rome. And there is profound justice in this, for in proportion to the nobleness of the power is the guilt of its use for purposes vain or vile; and hitherto the greater the art, the more surely has it been used, and used solely, for the decoration of pride or the provoking of sensuality.

Milton saw not, and Beethoven heard not, but the sense of beauty was upon them, and they fain must speak.

All the best things and treasures of this world are not to be produced by each generation for itself; but we are all intended, not to carve our work in snow that will melt, but each and all of us to be continually rolling a great white gathering snow-ball, higher and higher, larger and larger, along the Alps of human power.

Mountains are the beginning and the end of all natural scenery.

One evening, when I was yet in my nurse's arms, I wanted to touch the tea urn, which was boiling merrily ... My nurse would have taken me away from the urn, but my mother said "Let him touch it." So I touched it - and that was my first lesson in the meaning of liberty.

I know few Christians so convinced of the splendor of the rooms in their Father's house, as to be happier when their friends are called to those mansions... Nor has the Church's ardent "desire to depart, and be with Christ," ever cured it of the singular habit of putting on mourning for every person summoned to such departure.

What do we, as a nation, care about books? How much do you think we spend altogether on our libraries, public or private, as compared with what we spend on our horses?