The names of great painters are like passing-bells: in the name of Velasquez you hear sounded the fall of Spain; .in the name of Titian, that of Venice; in the name of Leonardo, that of Milan; in the name of Raphael, that of Rome. And there is profound justice in this, for in proportion to the nobleness of the power is the guilt of its use for purposes vain or vile; and hitherto the greater the art, the more surely has it been used, and used solely, for the decoration of pride or the provoking of sensuality.

No human being, however great, or powerful, was ever so free as a fish.

The only way to understand these difficult parts of the Bible, or even to approach them with safety, is first to read and obey the easy ones.

There is never vulgarity in a whole truth, however commonplace. It may be unimportant or painful. It cannot be vulgar. Vulgarity is only in concealment of truth, or in affectation.

Human work must be done honourably and thoroughly, because we are now Men; whether we ever expect to be angels, or were ever slugs, being practically no matter.

The eye is continually influenced by what it cannot detect; nay, it is not going too far, to say that it is most influenced by what it detects least. Let the painter define, if he can, the variations of lines on which depend the change of expression in the human countenance.

The first test of a truly great man is his humility. By humility I don't mean doubt of his powers or hesitation in speaking his opinion, but merely an understanding of the relationship of what he can say and what he can do.