I never actually do rehearsals. That's one of the reasons that I write those bios and if I can meet with the actors I'll meet them or talk to them on the phone. What I want is for them to come on set knowing their lines and knowing who the character is.

I figured somebody wrote a story who had a typewriter and I thought that movies were made by the cowboys and that they just said, 'Okay, you fall off the horse this time.

Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old.

We just said, 'Okay, you're in the movie. Bring what you would bring for a three-day weekend and I hope you like the way you look in it because once you're on camera, that's your wardrobe.' But it worked; it worked and we were very surprised.

I see very small movies being financed by crowdfunding. If you're a well-known actor or celebrity of some sort, you can probably raise between one and two million. I don't have that kind of cult [following].

When I read a story or see something play out in front of me I say, how come nobody's made a movie or a television show out of this? This is something that belongs in the conversation. Certainly that's what interests me about a project.

There was a widespread indignation in the American media. They were saying, How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives? To which my response was, Well, I hope so.