I've never felt that using something with tongue in cheek has been a bad thing.

Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety.

Oh, the relationship with actors and managers and agents and things is a terrible problem sometimes.

That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now.

There are certain actors who are very good at improvising, like Dustin Hoffman and Glenda Jackson.

No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.

Making a film is like going down a mine-once you've started you bid a metaphoricalgoodbye to the daylight and the outside world for the duration.