I've never felt that using something with tongue in cheek has been a bad thing.

That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now.

Making a film is like going down a mine-once you've started you bid a metaphoricalgoodbye to the daylight and the outside world for the duration.

Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety.

I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.

I've never felt that using something with tongue in cheek has been a bad thing.

No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn't often happen.