She wasn't happy, but then she wasn't unhappy. She wasn't anything. But I don't believe anyone is a nothing. There has to be something inside, if only to keep the skin from collapsing. This vacant eye, listless hand, this damask cheek dusted like a doughnut with plastic powder, had to have a memory or a dream.

If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.

Maybe not having time to think is not having the wish to think.

A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, the important ones, may have trooped by faceless and pale. And then-the glory-so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished.

Kino heard the little splash of morning waves on the beach. It was very good -- Kino closed his eyes again to listen to his music.

There's nothing in the world like that first taste of beer.

I think today if we forbade our illiterate children to touch the wonderful things of our literature, perhaps they might steal them and find secret joy.