As with many people, Charles, who could not talk, wrote with fullness. He set down his loneliness and his perplexities, and he put on paper many things he did not know about himself.

I seen it over an' over—a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.

A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling or teaching or ordering. Rather he seeks to establish a relationship of meaning, of feeling, of observing. We are lonesome animals. We spend all life trying to be less lonesome.

Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris, I fledged in San Francisco, climbed its hills. slept in its parks, worked on its docks, marched and shouted in its revolts~ It had been to me in the days of my poverty and it did not resent my temporary solvency.

Only through immitation do we develop toward originality.

I believe that there is one story in the world, and only one. . . . Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. . . . There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

No story has power, nor will it last, unless we feel in ourselves that it is true and true of us.