The design of a book is the pattern of a reality controlled and shaped by the mind of the writer. This is completely understood about poetry or fiction, but it is too seldom realized about books of fact. And yet the impulse which drives a man to poetry will send another man into the tide pools and force him to try to report what he finds there.... It would be good to know the impulse truly, not to be confused by the 'services to science' platitudes or the other little mazes into which we entice our minds so that they will not know what we are doing.

It sometimes happens that what you feel is not returned for one reason or another-but that does not make your feeling less valuable and good.

It's almost impossible to read a fine thing without wanting to do a fine thing.

A book is somehow sacred. A dictator can kill and maim people, can sink to any kind of tyranny and only be hated, but when books are burned the ultimate in tyranny has happened. This we cannot forgive.

All great and precious things are lonely.

People like you to be something, preferably what they are.

We have never understood why men mount the heads of animals and hang them up to look down on their conquerers. Possibly it feels good to these men to feel superior to animals, but does it not seem that if they were sure of it they would not have to prove it? Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage.