We have never understood why men mount the heads of animals and hang them up to look down on their conquerers. Possibly it feels good to these men to feel superior to animals, but does it not seem that if they were sure of it they would not have to prove it? Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage.

The candle aimed its spark of light at heaven, like an artist who consumes himself to become divine.

“Do you take pride in your hurt?” Samuel asked. “Does it make you seem large and tragic?” “I don't know.” “Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.”

When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.

Within that frame he went a long way and burned a deep scar.

Positano bites deep. It is a dream place that isn’t quite real when you are there and becomes beckoningly real after you have gone.

So much there is to see, but our morning eyes describe a different world than do our afternoon eyes, and surely our wearied evening eyes can report only a weary evening world.