A photographer's best work is, alas, generally done for himself.
Photography's central sense of purpose and aesthetic: the precise and lucid description of significant fact.
Luck is the attentive photographer's best teacher.
Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless. But if one insists in a photograph that is both complex and vigorous it is almost impossible
Photography is choosing where to point your eye-cone.
The very best pictures adapt themselves to many changes in meaning.