There's a very basic human, non-verbal aspect to our need to make music and use it as part of our human expression. It doesn't have to do with body movements, it doesn't have to do with articulation of a language, but with something spiritual.

There was a perception that the emerging-market problems aren't over and concern that may Brazil devalue.

Any working composer or painter or sculptor will tell you that inspiration comes at the eighth hour of labour, rather than as a bolt out of the blue. We have to get our vanities and our preconceptions out of the way and do the work in the time allotted.

When you think about Boston, Harvard and M.I.T. are the brains of the city, and its soul might be Faneuil Hall or the State House or the Old Church. But I think the pulsing, pounding heart of Boston is Fenway Park.

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The Olympics are a wonderful metaphor for world cooperation, the kind of international competition that's wholesome and healthy, an interplay between countries that represents the best in all of us.

I'm not a frustrated concert composer, and the concert pieces I've done have been a small part of my work. What I've sought there is instruction, variation from the demands of film and relief from its restrictions.