I think what you have to do is have a box office success in every genre and then you're set for life. And fortunately, I happened to do that, so I get a myriad of offers of various sorts.

You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.

When I was 8, I got a little toy propeller plane: You could turn it on and the people disappeared from the little windows and stewardesses appeared, and it ran along the ground.

You have a freedom in playing the villain. You can be a lot more out there, really. And there is a joy in that. There is a joy in kind of making a zone of psychoses.

I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters.

I like to fly at least once a day.

And now after all this time I finally figured out how to trap him... I will become him.