Being able to write becomes a kind of shield, a way of hiding, a way of too instantly transforming pain into honey.

I remember one English teacher in the eighth grade, Florence Schrack, whose husband also taught at the high school. I thought what she said made sense, and she parsed sentences on the blackboard and gave me, I'd like to think, some sense of English grammar and that there is a grammar, that those commas serve a purpose and that a sentence has a logic, that you can break it down. I've tried not to forget those lessons, and to treat the English language with respect as a kind of intricate tool.

I would especially like to re-court the Muse of poetry, who ran off with the mailman four years ago, and drops me only a scribbled postcard from time to time.

…he is unlike the other customers. They sense it too, and look at him with hard eyes, eyes like little metal studs pinned into the white faces of young men [...] In the hush his entrance creates, the excessive courtesy the weary woman behind the counter shows him amplifies his strangeness. He orders coffee quietly and studies the rim of the cup to steady the sliding in his stomach. He had thought, he had read, that from shore to shore all America was the same. He wonders, Is it just these people I’m outside or is it all America?

Sun and moon, sun and moon, time goes.

I like old men. They can be wonderful bastards because they have nothing to lose. The only people who can be themselves are babies and old bastards.

The essence of government is concern for the widest possible public interest; the essence of the humanities, it seems to me, is private study, thought, and passion. Publicity is a essential to the one as privacy is to the other.