I remember one English teacher in the eighth grade, Florence Schrack, whose husband also taught at the high school. I thought what she said made sense, and she parsed sentences on the blackboard and gave me, I'd like to think, some sense of English grammar and that there is a grammar, that those commas serve a purpose and that a sentence has a logic, that you can break it down. I've tried not to forget those lessons, and to treat the English language with respect as a kind of intricate tool.

Narrative and metaphysics alike become flimsy and frivolous if they venture too far from the home base of all humanism - the single, simple human life that we all more or less lead, with its crude elementals of nurture and appetite, love and competition, the sunshine of well-being and the inevitable night of death. We each live this tale. Fiction has no reason to be embarrassed about telling the same story again and again, since we all, with infinite variations, experience the same story.

"Hit it with the back of your left hand" was the first swing thought I ever heard, brusquely bu not unlovingly put to me by the aunt-in-law who had moments before placed a golf club in my virgin grip. I was twenty-five, and had spent my youth in a cloisterd precinct of teh middle class where golf was a rumoured something, like champagne breakfasts and divorce, that the rich did.

To be President of the United States, sir, is to act as advocate for a blind, venomous, and ungrateful client.

irony is a way of having one's cake while appearing to eat it.

The difference between a childhood and a boyhood must be this: our childhood is what we alone have had; our boyhood is what any boy in our environment would have had.

Let us not seek to make it less monstrous, for our own convenience, our own sense of beauty, lest, awakened in one unthinkable hour, we are embarrassed by the miracle, and crushed by remonstrance.