What we need is progress with an escape hatch.

The educational aspect of art shows has become overbearing: some of exhibits can leave you bleary from trying to read the walls. Presumably a piece of art is timeless and it can say something to us. You are taking away the right of art to talk for itself.

A few places are especially conducive to inspiration - automobiles, church - public places. I plotted Couples almost entirely in church - little shivers and urgencies I would note down on the program, and carry down to the office Monday.

A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.

We're past the age of heroes and hero kings. ... Most of our lives are basically mundane and dull, and it's up to the writer to find ways to make them interesting.

Narrative and metaphysics alike become flimsy and frivolous if they venture too far from the home base of all humanism - the single, simple human life that we all more or less lead, with its crude elementals of nurture and appetite, love and competition, the sunshine of well-being and the inevitable night of death. We each live this tale. Fiction has no reason to be embarrassed about telling the same story again and again, since we all, with infinite variations, experience the same story.

It's not up to us what we learn, but merely whether we learn through joy or through pain.