Our brains are no longer conditioned for reverence and awe. We cannot imagine a Second Coming that would not be cut down to size by the televised evening news, or a Last Judgment not subject to pages of holier-than-thou second-guessing in The New York Review of Books.

Writing doesn't require drive. It's like saying a chicken has to have drive to lay an egg.

Hope bases vast premises on foolish accidents, and reads a word where in fact only a scribble exists.

My father provided; he gathered things to himself and let them fall upon the world; my clothes, my food, my luxurious hopes had fallen to me from him, and for the first time his death seemed, even at its immense stellar remove of impossibility, a grave and dreadful threat.

It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle.

Atrocity is truly emperor; All things that thrive are slaves of cruel Creation.

That a marriage ends is less than ideal; but all things end under heaven, and if temporality is held to be invalidating, then nothing real succeeds.