People go around mourning the death of God; it's the death of sssin that bothers me. Without ssin, people aren't people any more, they're just ssoul-less sheep.

Whatever art offered the men and women of previous eras, what it offers our own, it seems to me, is space - a certain breathing room for the spirit. The town I grew up in had many vacant lots; when I go back now, the vacant lots are gone. They were a luxury, just as tigers and rhinoceri, in the crowded world that is making, are luxuries. Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.

Art is like baby shoes. When you coat them with gold, they can no longer be worn.

In fact we do not try to picture the afterlife, nor is it our selves in our nervous tics and optical flecks that we wish to perpetuate; it is the self as the window on the world that we can't bear to thinkof shutting. My mind when I was a boy of ten or eleven sent up its silent scream at the thought of future aeons -- at the thought of the cosmic party going on without me. The yearning for an afterlife is the opposite of selfish: it is love and praise of the world that we are privileged, in this complex interval of light, to witness and experience.

I know how to choke. Given even a splinter-thin opportunity to let my side down and destroy my own score, I will seize it. Not only does ice water not run through my veins, but what runs there has a boiling point lower than body temperature.

Suddenly summoned to witness something great and horrendous, we keep fighting not to reduce it to our own smallness.

It’s spring! Farewell To chills and colds! The blushing, girlish World unfolds Each flower, leaf And blade of sod— Small letters sent To her from God.