I was living in Gainesville, Florida, and our babysitter brought over the soundtrack to The Who's "Tommy" - not the actual record "Tommy", but the soundtrack to the movie with Elton John and Aretha Franklin. I remember hearing it for the first time and it was so confusing. It was like waves and waves of unknowable and indescribable sound coming out of the stereo.
John VandersliceThere's nothing like space and the ability to make unlimited amounts of noise at any time, especially in San Francisco.
John VandersliceOne day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
John VandersliceUsually I'm trying to get away from my discography. I don't think I could tear down everything I've done, the structures I've created - you know, like what Miles Davis did eight times in a row, which was destroy every kind of crutch or system he had for making music. That's very, very difficult. When I reflect on my catalog, I'm very proud of it, and I love it, but what I want to do now is completely different. When I don't do something different, I feel like I'm cheating - consciously or unconsciously stealing from myself.
John VandersliceTo make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
John Vanderslice