I wish I could go out farther from my musical history. I didn't realize how hard it was until I tried to do it. All the basic tracks on Romanian Names were done in my basement, alone, without any of the self-consciousness that comes with being in the studio. It was a completely different process. And those two things definitely made the record sound different. But you want this quantum leap from record to record, and maybe if I did make a quantum leap I'd make an unlistenable album. So maybe I'm lucky that I can't pull it off.

The funny thing is that even engineers and techs don't know what a tiny telephone connector is - people call them TT connectors. Engineers used to come by all the time and say, "Why are you called Tiny Telephone?"

Bands will always need studios. The more people there are recording at home, the more people there will be who are going to need a studio.

When I tour with a band, things get more unconscious and more automatic as the tour goes on. Music has to be like natural speech. It's probably like learning a foreign language. Thinking about the use of pronouns is not the passionate part of communicating with people.

Usually I'm trying to get away from my discography. I don't think I could tear down everything I've done, the structures I've created - you know, like what Miles Davis did eight times in a row, which was destroy every kind of crutch or system he had for making music. That's very, very difficult. When I reflect on my catalog, I'm very proud of it, and I love it, but what I want to do now is completely different. When I don't do something different, I feel like I'm cheating - consciously or unconsciously stealing from myself.

Making love to robots will probably be great one day. It's just not a viable option right now.

There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.