I was always flattered, but I just want my movies to make money. I want to be commercial. I'm never the person who says, "I don't care if people don't see my movies." I always want people to see my movies.

The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.

It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.

There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.

I've always believed in the goodness of people. I teach in prison. They all said, don't do it. Carry a gun, take Mace. Are you kidding? I guess, they're around so many criminal elements that they fear for.

New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.

True success is figuring out your life and career so you never have to be around jerks.