[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.

It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.

The hardest thing for me in Vietnam wasn't seeing the wounded and dead. It was watching the big transport jets come in, bringing loads of fresh new boys for the war.

If you aren't gonna say exactly how and what you feel, you might as well not say anything at all.

The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.

You miss a lot of opportunities by making mistakes, but that's part of it: knowing that you're not shut out forever, and that there's a goal you still can reach.

I haven't been familiar with hard work. It was no problem for me. But first I hitchhiked to Pontiac, Mich. and got a job working in Fisher Body making those 1951 Pontiacs.