It's good to experience Hollywood in short bursts, I guess. Little snippets. I don't think I can handle being here all the time, it's pretty nutty.

My experience with Sondheim has been nothing but glorious, especially for a guy who doesn't sing.

Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.

In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.

I'm not blockbuster boy.

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes.

As soon as we fall in love and we realise we've met the one the rest of our lives can't come soon enough. It's not like you're in a rush to get to the finish line, you're in a rush to feel and experience everything and then do it all again.