It's kind of interesting to experience that kind of a ride after well, essentially so many years of enjoying a career based on failures and then suddenly something clicks. The weird thing is, I never changed a thing. The process is still the process as it ever was. The fact that people decided to go and see a movie that I was in was probably the most shocking thing that I've ever been through.

I've been lucky enough to work with a make-up artist, Joel Harlow, who you can throw anything at. I said, "Joel, I need to go to the London eye with my children and I want to look like a roadie from Lynyrd Skynyrd."

I'm having too much fun today to worry about tomorrow.

I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste.

I'd never even sung in the shower, I'm too mortified. But once I got over the initial fear it was kind of enjoyable. Sondheim's melodies and lyrics are a real pleasure to tromp around in, it's really beautiful stuff.

An actor needs to be not remotely anywhere close to in control, and a filmmaker has to be totally in control.

It's absolutely fine when Wile E. Coyote walks in with a band-aid on his head, after a 3,000-pound rock is dropped on him. That is what Ed Wood meant by the suspension of disbelief.