It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.

I'm having too much fun today to worry about tomorrow.

They said, "You get $2 million to make the film, if you're not in it. If you are in it, you get $5 million to make the film." There was no way to make the thing for $2 million, so I made it for $5 million. And then, it turned out there was no way to make the thing for $5 million. That's when it got weird.

I love the idea of changing my look. I think one owes it to the audience, to go out there and give them something different each time, so as not to bore them to death.

For a long time I tried to manage an honesty and openness about my personal life because I’m human and I’m normal – well, semi-normal.

I don't trust anyone who hasn't been self-destructiv e in some way, and who hasn't gone through some sort of bout of self-loathing. You've got to bang yourself around a bit to know yourself.

Thats what a ship is, you know. Its not a keel and a hull and a deck and sails. Thats what a ship needs. But what a ship is. What the Black Pearl really is . . . is freedom.