I love the idea of changing my look. I think one owes it to the audience, to go out there and give them something different each time, so as not to bore them to death.

I try to stay in a constant state of confusion just because of the expression it leaves on my face.

What happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images.

An actor shouldn't have to leave the set and go home and write a bunch of stuff for a bunch of other people, the next day. I found it very unpleasant.

I think today we've gone so far technologically and also just emotionally and psychologically, I mean there's a lot of crime out there and there's a lot of stuff going on. People don't care that they're going to go to prison. They couldn't give a rat about the repercussions. They go out and they do what they do and they don't care about hurting anyone else.

For me, the question was, how can one take a live-action performance and put it in the parameter of one of those cartoons? How much can you get away with?

I really love the experience of moving things around, in terms of being a director.