I think when you are young, you are hoping that this person will be the right one. The one you are going to be in love with forever, but sometimes you want that so much, you create something that isn't really there.

In terms of it being a first screenplay, literally, my hat is off to him [Wally Pfister]. I didn't see any virgin blather in screen direction, or anything like that. It was just a wonderfully executed piece, and a complicated one. The mathematics involved in putting this film together, between Jack and Wally, and the great support of Alcon, it was not a easy little operetta.

In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.

Once you get on the ship, everything is fine. Once you get on land, everything is not so fine.

My beef was with essentially being a product. I didn't want to be a product, so I tried to get fired, but they didn't fire me, which was weird.

As soon as we fall in love and we realise we've met the one the rest of our lives can't come soon enough. It's not like you're in a rush to get to the finish line, you're in a rush to feel and experience everything and then do it all again.

I'm not sure I'm adult yet.