Just selfishly, I wanted to be associated with something as synonymous with cool and cutting edge and artistic as CBGB. People are aware of that, at least, even if nothing else. That's something to be proud of, to be a small part of the association with something like that.

Comedy is similar to hockey... in only one way. You get a lot of credit for assists. So I try to serve whatever the intention is, be it the joke or the story or the scene or the moment or the kiss, even if it's not my joke or moment.

I love to work. I absolutely love to work.

It's never been a priority for me to concentrate on the likability of the character.

You know, I read the papers and I watch the news a lot. I watch 'Dateline' and '48 Hours'. And I think we have a tendency to become terrified of one another, thinking that there is a serial killer that is on either side of you.

As they say, there are two rules in improv: Never say no, and never ask why. When another actor asks 'Why?' or says no to something you're suggesting, then it's very clear that they're putting the onus on you, because they're not comfortable with it themselves.

It's that one thing that you're passionate about, that you end up developing tunnel vision for and everything else tends to fall by the wayside. Passion is appealing and universal.