Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.

I explored rock culture and what the guitar can do though people like Jimmy Page and John McLaughlin, and the music moves away from pop.

Joining Modest Mouse was just consistent with what I used to do as a teenager: I followed where I thought I would make some interesting music.

People say to me, 'Do you dye your hair?' and I say, 'Well, does f**king Siouxsie Sioux? Does Bowie?'. Of course I'm going to have a decent haircut. It's one of the first things I learnt to do - get a few songs together and get your hairstyle right.

I've run all the bands I've been in. A great front man needs that other person. It's not enough to have a guy with a cute face standing behind a microphone. I see it like the classic romantic relationships with men and women, where the woman lets the man think he's running it. It's a classic matriarchal trait, and that's always been part of my personality.

Having your own space is getting rarer and rarer these days. It's dangerous giving someone like me - who grew up fantasizing about studios and records - the freedom and resources to build your own studio. I would just live in it, which is what I pretty much did for all of the '90s.

I met my manager when I was 17, when I didn't have enough money to buy a set of guitar strings. There are not very many people who are looking out for you and being in business with you when you're at that stage. And it's not in my nature to think that success as a musician makes you any different from anybody else.