I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.

I never took fans for granted. I always assumed subconsciously that people who followed what I did were just people who were kind of like me.

I don't really care what music's made on - I love guitars, but I'm fine with great electronic music.

I think one of the things about being around for a while and getting to know yourself is that when you do have these positive experiences, you don't take them for granted - you identify them and you make the most of them. I don't know - it's kind of cool getting old in a lot of ways.

I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.

Don't get me wrong, I think "Portlandia" is really funny, and quite brilliant, but I like to be in a city where I can hang out in Powell's Bookstore most nights and go out with my friends in a liberal, relaxed atmosphere. I wish more cities were like that.

When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.